Talks & workshop & a drop-in too at the War Memorial park, Coventry!

***** Artist Talk Julia O’Connell is an artist from Coventry whose work is based around textile processes, memory and story. She has recently been appointed artist in residence at the War Memorial Park Coventry and she will be giving a talk about her work on Friday 29th August at 11.00am ‐ 12.30pm in the Visitor’s Centre at the park. The talk is FREE, please contact the reception on 024 76786280 to book a place. For more information about Julia’s work please view her website: www.juliaoconnell.co.uk Park and Stitch Julia will be having a ‘stitch-in’ on Friday 26th September. This is a free event where you can pop along to have an informal chat about craft and making, and also stitch along with Julia at the same time! Please bring any ongoing sewing or craft projects (including knit or crochet) and set aside time for yourself to spend with other makers, sharing skills and stories. If you would like to attend but are a new maker, Julia will have some work to share and do! It would be lovely to see you. This is a free activity for adults and takes place at The Visitor Centre in The Education Room – 10.00am until 12.00pm. Textile Workshop As part of Julia’s residency she will be creating memory quilts about stories from the park. On Thursday 30th October, Julia will be holding a patchwork workshop. The workshop is suitable for ages 10 and upward and is an ideal opportunity for everyone to learn a new skill, have fun and be together. Workshop takes place at The Visitor Centre in The Education Room...

World War One – Embroidered Postcards

In 2013 I began a commission with Theatre Absolute The project is called 100 and is a cross arts project for the approaching World War One centenary. There are 4 elements to the project, a short film, two new plays and a textile response by myself. I looked at the embroidered postcards that were sent from the Front. Many were initally hand embriodered by French and Belgium women and sold to troops but gradually as the popularity of these increased they were made by machine in factories. There were millions made and I think the scale of production in making these cards that then held precious and personal messages to loved ones fascinated me. I have gradually purchased a few. I chose a couple of motifs from the cards and set about interpreting the designs, learning the flow of stitches and their patterning as I progressed. I stitched a motif 24 times onto 3 organdie screens. It was a way to reconnect back to the hand from the industrial machines. It takes incredible precision to try and stitch the same motif by hand again and again and I was struck by the psychological and physical changes within me as I stitched the work. I recorded the time it took me to stitch each one to see if I could get quicker as I repeated the design. My body began to tense and twist as I rushed to finish quicker against a previous recorded time. During the premiere in October of the initial commissions at the Herbert Art Gallery & Museum in Coventry, I displayed the completed screens. Viewers were...