Memphis Sphinx Treadle

Delighted to announce that I have been successful with my applications for funding for the development of my Memphis Sphinx Treadle Sewing Machine project that I began to explore earlier in the year. Huge thanks to Arts Council England and Coventry City Council for their support and to the individual officers who listened and encouraged me to apply. The project’s timeline is from late October through to March 2015 and I am currently engaging various creative partners who will assist me in the projects development and will announce these fantastic people soon. I will be posting on here my discoveries about linking up the treadle sewing machine with interactive technology and creating a new live craft performance piece but in the meantime I would be very grateful if readers to this blog could share the following information with as many people as possible: *** I am working with a 1919 Singer Treadle Sewing Machine – called a Memphis Sphinx due to the decal designs on the machine of a Sphinx. I am looking for stories remembered from people’s families/childhood/work etc of using a treadle machine – and as I have already found with my own family, the machines were used for a lot of things as well as domestic sewing eg: my uncle would use the treadle area beneath as goal mouth practice! I’m interested in hearing the description of noise it made, the rhythm and feel too – in fact anything connected with the treadle machine. I can be contacted mail@juliaoconnell.co.uk – thank you for your time. *** Finally I would like to thank Dom and Ash from...

Slowly

So I kind of hit a bit of a wall last week…it was the ‘ideas are running away with me’ wall and although I had tried to tweak and play with my Arduino board and the Isadora software Ash had been showing me I seemed to have stumbled on a glitch and couldn’t resolve it…I also realised that I couldn’t resolve it as I did not know enough about each elements to be able to use the help section as I wasn’t sure which way to look first. HOWEVER good always comes from bad as I spent my time linking to Mark Coniglio’s You Tube tutorials and watched a few set-ups and scenarios. He’s the designer of Isadora – the software I’m using. I also got myself familiar with the actual layout and tools of the ‘scenes’ (the areas that I set up my codes and rules etc on). BUT Today was a much better day! Before Ash came over I managed to link the band back on to the treadle wheel of my sewing machine and although its crusty and rusty I think I have almost got it working as I saw the needle rising up and down…the needle is still threaded from either my Nannar or Aunt’s last piece of work! Also, over the last few weeks I posted a photo of the machine on Facebook and wrote a bit about it…gradually over a few days, members of my family began to add comments and reflect on the machine…I DID NOT EXPECT THIS – it has been wonderful to read what this machine meant to them as...

Memphis Sphinx – looking in the drawer for the first time

As part of my Random String residency with Ludic Rooms, I’m using my grandmother’s treadle sewing machine and I filmed on my phone the first time I opened and looked through the machine’s drawer – it was kind of like an ‘unveiling’ when you get a new bit of tech kit but with lots more surprises. See the phone film here Treadle Machine Drawer Tickets for the symposium can be booked via Ludic Rooms link...

2014

I’m delighted to say that I have been selected as a resident artist for Random String – a project by Ludic Rooms which supports 6 artists as they discover interactive technology and work to incorporate it into their practice. I’m using the treadle sewing machine I inherited from my Grandmother as a starting point. It was made in 1919 in Kilbowie, Clydebank, Scotland. The decal decoration on the machine is called the Memphis...